Wednesday, May 16, 2012

Nib Nest Instructions!



I feel like such an old lady holding up the checkout line trying to make exact change as I sift through my calligraphy nib collection to find the size I need during a class or workshop. :D

If this process makes you feel the same way, then I have the perfect solution for you. Introducing the Nib Nest!

We made these on Monday at the monthly FoTA meeting and had a great time. Mamie Valez made some really beautifully embellished versions that I swear will make your nibs look like they're on stage or stacked neatly in the Castle's Armory.

Below are the instructions. Share and enjoy!

~Anne


Friday, May 11, 2012

Illumination on Vellum Workshop by Reggie Ezell in Atlanta


by Primitive to Modern student, Louona Tanner

Reggie Ezell's next workshop in Atlanta: Illumination on Vellum
June 9 & 10, 2012
8:30am - 6:30pm
Location:  The Mendez Center, Atlanta, GA (between Midtown and Buckhead)
Cost: $300. (plus small supply fee for vellum and other materials payable at class)

To register, please send payment to 
Mamie Valez
6135 Grand Maria Circle
Gainsville, GA 30506

questions: Please email coordinator Victoria Lansford at victoria@victorialansford.com.  We have a few members who are willing to host.  If you need a place to stay, please email.  

Workshop description:  We will traverse no less than 1300 years in seeking to amalgamate illumination techniques from the Codex Aureus with designs from some of the greatest lettering artists of our day.  Techniques include gilding with 23k gold leaf, illumination on calfskin vellum, and more.  Reggie's workshops are jam packed with information and inspiration.  Don't miss this unique opportunity to study with a master.


About the Primitive to Modern:  For those of you who really wanted to take Reggie's second year long class but couldn't commit to the whole year, Reggie has made a very special offer to let people sign up for the remaining sessions a la carte.  

These sessions are project based and fairly contained so even if you haven't been in previous sessions with Reggie, you'll be able to do them and not be lost.

These means you get to learn incredibly cool techniques like gilding and illuminating on vellum and take a finished (or nearly finished) piece home!!!!

You may sign up for any of these workshops at this time.  We only have 4 spaces in each one.   Registration is first come first served. 
  

Monday, May 07, 2012

Green Ink with a Brush

New table cards with escort cards to match for a wedding client. She named tables instead of numbering them, which was really fun for me to paint. A brush is so much easier to use on a larger scale. I had a blast!







Pink, Spotted and Silvered Flourishes


Did these place cards this morning on New Diplomat Parchment. Used a gelly roll Sakura pen for the silver accents, pink & white liquid acrylic inks, and a light grey warm brush marker for depth. Fun, fun, fun!



Wednesday, May 02, 2012

Schmincke is da Shiznit



Great news for all the Atlanta calligraphers out there. Binders now carries Schmincke Tro-Col metallic water-based powders in 5 fabulous colors. They are beautiful and great to work with. I love to mix mine with distilled water and a tad bit of gum arabic. Makes a tasty, intense ink. Comes highly recommended by Heather Held and Barbara Calzolari.

The powder can also be used to dust your work with a metallic glow. Really versatile and can also be added to any other water based medium (ink, gouache, watercolor) to give it that fairy dust feel. LOVE working with this stuff!

Thank you Stacey Smith (who is also the Shiznit) for bringing this great product in!



Tro Col Bronze Pwdr Rich Pale Gold (4012380019097)

Bronze-powder with dry dextrine-glue-binder. Combined with water you obtain highly brilliant bronze colours. Mixable with all kinds of gouache (poster Tempera) and water-colours. To maintain gloss and luminosity of the bronzes mix right before painting.


Regular Price: $14.35Your Price: $11.79 
You Save: $2.56 (18%)


Tro Col Bronze Pwdr Pale Gold (4012380019103)

Bronze-powder with dry dextrine-glue-binder. Combined with water you obtain highly brilliant bronze colours. Mixable with all kinds of gouache (poster Tempera) and water-colours. To maintain gloss and luminosity of the bronzes mix right before painting.

Regular Price: $14.35Your Price: $11.79 
You Save: $2.56 (18%)

Tro Col Bronze Pwdr Copper (4012380019110)

Bronze-powder with dry dextrine-glue-binder. Combined with water you obtain highly brilliant bronze colours. Mixable with all kinds of gouache (poster Tempera) and water-colours. To maintain gloss and luminosity of the bronzes mix right before painting.
Regular Price: $14.35Your Price: $11.79 
You Save: $2.56 (18%)


Tro Col Bronze Pwdr Silver (4012380019127)

Bronze-powder with dry dextrine-glue-binder. Combined with water you obtain highly brilliant bronze colours. Mixable with all kinds of gouache (poster Tempera) and water-colours. To maintain gloss and luminosity of the bronzes mix right before painting.
Regular Price: $14.35Your Price: $11.79 
You Save: $2.56 (18%)





Tro Col Bronze Pwdr Rich Gold (4012380019080)

Bronze-powder with dry dextrine-glue-binder. Combined with water you obtain highly brilliant bronze colours. Mixable with all kinds of gouache (poster Tempera) and water-colours. To maintain gloss and luminosity of the bronzes mix right before painting.
Regular Price: $14.35Your Price: $11.79 
You Save: $2.56 (18%)


Monday, April 30, 2012

New & Improved PetalPods and MonoPods!!!




Introducing the newly improved Petal PodTM! We've taken the same great design of the world's most innovative calligraphy ink well and added leak proof containers, each with their own threaded cap!!

Whether you dip your nib or like to load with a brush, the 6 smaller pods are perfect for holding just the right amount of ink, gouache, or water color. Use them to create fascinating palettes, creating a subtle flow of value and hue by dipping your nib in two to three alternating colors at a time. Each small pod measures .63 inches wide and 1 inch high. 

The larger center pod can be filled with water/cleaner or to to hold a wet wipe while you work. 

A calligrapher's dream tool, Petal Pods love you and want you to grow. Made of natural pine, Petal PodsTM are handcrafted, signed and embellished right here in Georgia. Designed by Anne Elser, Petal Pods are sold exclusively at Binders. Wooden base measures 4.5 inches wide X .75 inches high.





Introducing the newly improved MonoPodTM! We've taken the same great design of the world's most innovative calligraphy ink well and added leak proof containers, each with their own threaded cap!!

Whether you dip your nib or like to load with a brush, the smaller pod is perfect for holding just the right amount of  ink, gouache, or water color and measures .63 inches wide and 1 inch high. 

The larger center pod can be filled with water/cleaner or to to hold a wet wipe while you work. 

A calligrapher's dream tool, MonoPods love you and want you to grow. Made of natural pine, MonoPods are handcrafted, signed and embellished right here in Georgia. Designed by Anne Elser, MonoPods are sold exclusively at Binders. Wooden base measures 2.5 inches wide X .75 inches high.

Tough Day. Nice Evening.

Here's a piece I did recently for the 2012 Atlanta Reggie Ezell year long workshop. We're studying Blackletter and its variations. This is a collage created from the text of my brother's AT hike back in 1987. 

There are also illustrations and text from a children's textbook about the space travel. I thought the journeys paralleled each other. I used W&N gouache, watercolor and walnut ink. I left the paper seams, raw edges and created faux stitching in places. Every letter "o" has two white slashes in the center, symbolizing the AT's "blaze." Blazes are rectangular markings on tree trunks, meant to assure a hiker that they are still on the trail. 

Speaking of journeys - this one has been amazing. Thanks to all in Reggie's class for accompanying me. 

Sunday, April 29, 2012

Bill Kemp Workshop: Flourishing & Birds with Pointed Pen


Very exciting news Inkers! The Art School at Binders is bringing calligrapher Bill Kemp to Atlanta this Fall for a two-evening workshop called Flourishing and Birds with Pointed Pen on September 13 - 14, 2012 from 6-10PM. Woo hoo!

We are THRILLED to have him here!

To see more examples of flourished birds, click here.
To read more about Bill and his work, click here.

Below are all the juicy workshop details. I will be there, so scoot on over and sit with me!

If you have any trouble signing up on line, contact Jacob Gunter at Jacob@Bindersart.com.


Flourishing Bird Pntd Pen 9/13 (ARTZ1230)

Flourishing & Birds with Pointed Pen with Bill Kemp
2 Evening Sessions | All Levels | Price: $130 (includes book) | Min. 8 / Max. 16
ARTZ1230 | Thurs. & Fri. Sept. 13 & 14, 6-10pm
Please note that there are no refunds after the August 27th registration deadline
This two session evening workshop covers techniques for using the pointed pen to flourish. Learning basic compound curves and expanding on them to create beautiful flourishes.

The flourishes are balanced shades of thick and thin lines, building on the contrast of the background and your pen strokes. There is no lettering taught in this class, but examples of combining the flourishes with letters will be demonstrated. A comprehensive workbook is part of the workshop for the students to continue to study this art form.

For more information about this instructor and supply lists, please see Instructor Bios & Supply Lists in the menu to right, under Art School at BINDERS.

By enrolling in this course you certify that you have read and understand The Art School Policies and Registration procedures located in the menu to right, under Art School at BINDERS.

THIS CLASS IS AT OUR ATLANTA STORE.

Friday, April 20, 2012

My Studio Assistant

I recently put out an ad for a studio assistant to help keep the small of my back warm during the chilly spring mornings. Olaf (aka Puff) has filled the position nicely. And he works for FREE. 

Here are some snaps of him dutifully fulfilling his job description as I work through an envelope job. 




Tuesday, April 17, 2012

New Calligraphy 3 Overflow class: May 3 - June 7

Hi All,

The May 2nd Calligraphy 3 class is now full.

We have a waiting list going for another class of the same to begin Thursday, May 3rd, 2012.
This class would meet for 6 Thursday night sessions on the following dates: May 3, 10, 17, 24, 31 and June 7th.

To sign up and get on the waiting list, email Jacob Gunter at Jacob@BindersArt.com. We would just need at least 3 students for that class to make.

Happy Spring to all!

~Anne




Calligraphy 3 is an advanced calligraphy class designed for those who have taken Calligraphy 2 or 3 or who already know the fundamentals of any calligraphic hand and are ready for the challenge of applying the words and other elements to the page. Whether you are addressing envelopes, designing a monogram, laying out a certificate, document or quote of any size, this class will help you understand the concept of hierarchy on a page, drama, stable compositions and balance of elements. You will also be encouraged to take the plunge into the world of flourishing! Experimentation with color, gouache, inks and paper is also encouraged. Bring in your free spirits and let's have fun!

New Classes in May 2012


Hi Friends,

I've got three great classes beginning the first week of May at The Art School at Binders and there are just a few seats left in each. 
Pass the word - life is good! Lots to learn and share!
~Anne




5 seats left as of 4.17.12

This is an introductory look at Copperplate, an elegant and elastic hand frequently used for formal invitations, documents and bridal events. Completely enchanting, the dramatic thicks and thins of this delicate hand will make you swoon.During the six week course, students will be given handouts and guide sheets, learning the upper and lower case characters. We will also address spacing and layout for addressing envelopes. Calligraphy is less about pretty handwriting, but more about DRAWING each and every letter. It's about establishing a pacing and rhythmic motion as you write - giving you a consistency of shapes and letters, and spaces in between words and lines. It is highly relaxing and meditative. Like yoga for the hands. –––––––––––––––––––––



4 seats left as of 4.17.12

Learn the fundamentals of making books and boxes in this class with a variety of materials and techniques. The anatomy of a book is fascinating, the covers, spine, folios, signatures, fly sheets, headbands and more are all waiting for your heart and hands. Folding, gluing and stitching goes a long way. Make wonderful gifts, sketchbooks and journals, photo albums, etc. The only skills required are a love of paper, attention to detail, patience and a need to share the FUN!
–––––––––––––––––––––




1 seat left as of 4.17.12

Calligraphy 3 is an advanced calligraphy class designed for those who have taken Calligraphy 2 & 3 or who already know the fundamentals of any calligraphic hand and are ready for the challenge of applying the words and other elements to the page. Whether you are addressing envelopes, designing a monogram, laying out a certificate, document or quote of any size, this class will help you understand the concept of hierarchy on a page, drama, stable compositions and balance of elements. You will also be encouraged to take the plunge into the world of flourishing! Experimentation with color, gouache, inks and paper is also encouraged. Bring in your free spirits and let's have fun!
–––––––––––––––––––––


Wednesday, April 04, 2012

From Nib to Brush with Barbara Calzolari


It's not too late to sign up for Barbara Calzolari's "From Nib to Brush" workshop this August. Read more below for details:


Barbara Calzolari is coming to Atlanta again this summer (August 2012) for an even more fabulous workshop in Pointed Pen Variation - this time with a twist. She's showing us how to use the brush as if it were performing as a nib. She's uploaded many short videos of this technique with a Pentel Brush Pen (and many other tools) and they're all fascinating to watch. 


Her workshop lasts a long and mighty three days, beginning with a lecture called Passion for Calligraphy on Thursday evening (which you can purchase separately if you can't attend the workshop.) She is an amazing calligrapher, whose work has been broadened profoundly by life experience. Grace, movement, and strength are the three things that stand out when I feel through her work and watch her in action. She creates a "living letter" with hands connected by the same.


To sign up for this class, read the information below and if you've got any questions, please contact either me (anne@anneelser.com) or Jacob Gunter (jacob@bindersart.com), the Education Director at The Art School at Binders. 


The class is geared toward the advanced beginner or intermediate advanced. This means you'll need to have had a solid introduction to copperplate or anything pointed pen. There are classes all over Atlanta in the pointed pen (copperplate, spencerian, etc) and I'd have at least taken one of these classes before you take Barbara's Nib to Brush. 


Here are a couple classes taught by me that are still available for registration: 

Go to the FOTA (Atlanta Friends of the Alphabet) website, you'll find a many great links to classes offered all over the city at your disposal. We are a strong group of friends and calligraphers who all have something beautiful to offer.

If you'd like to take part in Barbara's daily inspiration, friend her on Facebook, tell her you've signed up for her class, and watch your newsfeed come to LIFE. By the time August rolls around, you'll be ready to take the deep plunge into her soulful world and you'll be changed forever! 


Advanced Beginner to Intermediate| Price: $190 (includes demo)
Course fee is not refundable unless another student can take your space 
Registration Deadline: July 12 | Min. 10/ Max. 15ARTZ1188 |
Thurs. Evening Lecture: Passion for Calligraphy, 6 - 8pm | 
Workshop: Fri. - Sun. Aug. 3 - 5, Fri. & Sat. 10am - 6:30pm, Sun. 11am - 5pm 

Variation on Pointed Pen with Italian calligrapher Barbara Calzolari will be a once in a lifetime opportunity, not to be missed! Delve into the understanding of lines that become letters with pencil, letters with the oblique pen holder and nibs, focus on words...spacing between them, space between lines and how to give power to a simple text. Look at the object that can live a second life with our writing. Why not inside a coat, on a cigar box, on the pillow or your cat? Calligraphy can be wherever you envision it to be! Learn how to write with a round brush and ink to fit your desired surface. Celebrate your new found expressions at the end of class with merriment and presentation of your work! 

Monday, April 02, 2012

SPENCERIAN MONUMENT UNDERWAY FOR AMERICAN HANDWRITING by Michael Sull


                                                                                                
                                                                            
SPENCERIAN MONUMENT UNDERWAY FOR AMERICAN HANDWRITING
  -- Michael Sull

My dear friends and fellow penmen,

I have very exciting news to share! Work is in progress to create the first public monument in America dedicated to our heritage of handwriting! It is difficult to understand why this has never been done previously, but everyone who has become involved in the project is ecstatic for this opportunity to permanently recognize our penmanship history for posterity.
  The idea for creating some form of recognition concerning our unique American handwriting era crossed my mind 2 years ago when I began planning for the 25th anniversary of the Spencerian Saga in 2011. As I thought about the influence that the Saga program has had in promoting Platt Rogers Spencer and our country's Golden Age of Penmanship, I considered the thought that there should be some way to commemorate the role that the event has served for such a long period of time. It was then that a much more important idea hit me, and the " big picture" came into view.
  I realized that, despite the importance of Platt Rogers Spencer's work, as well as the work of all the legendary penmen who followed him, no monument, memorial, or formal recognition has ever been created to acknowledge their invaluable contributions to our country. As we all know, American penmanship played a tremendous role in the education of our citizens during the 19th and early 20th centuries. The skill and teaching of handwriting had a vast influence in the progressive increase of literacy throughout our population, and Business Writing became the mainstream vehicle for all commercial correspondence. In addition, Spencerian Script touched nearly everyone at that time with the expression of social correspondence, allowing families and friends to stay in touch with one another. And yet, in the 148 years since the death of Spencer, no one has created a public recognition of any kind to show that our magnificent penmen ever existed at all, let alone what they had accomplished.
  Today, in this 21st century, we can do something to correct this oversight, and each of us can take pride in making this project succeed. Here and now--- this really is our moment in history, and rest assured that there will be penman who follow us. There is a line from a song that reads; 
"... we all become forefathers, bye and bye..." (Dan Fogelberg). So it goes. 
  It is both our privilege and responsibility to record the story of American penmanship so that future generations can know and love this art--  and it's history-- as we do. The Spencerian Monument for American Handwriting will be our gift to the preservation of our native penmanship and the lives of our colleagues, past and present. We owe our predecessors more than respect; we owe them our commitment that their efforts will be remembered and never lost again.

                                          THE MONUMENT

  The project will consist of 5 large bronze tablets mounted on a 4- sided limestone obelisk, 4 feet wide and 1 foot high at its base, upon which the spire will be mounted. At this point the obelisk will be 3 feet square for approximately 5 feet of height, then tapering slightly to 30 inches square up to a final height of approximately 9 feet. A finial consisting of a sculpted bronze quill is planned for placement at the top of the monument.
  The two largest plaques, each measuring 22" x 32", will be the focal points of the monument. One plaque will be devoted to Platt Rogers Spencer as the Father of American Handwriting, with text about his life and accomplishments, and the other plaque will commemorate the Spencerian Saga, with text about its founding, program, and influence for over a quarter-century of promoting Spencer's legacy.
  The remaining 3 plaques are: 1) Spencer's iconic poem, " The Origin of Spencerian Penmanship"; 2) the Dedication plaque, featuring the date of dedication (August 24, 2012) and the names of the Spencer Monument Committee members from the Spencerian Saga and the City of Geneva, Ohio; and the Patron's Plaque, featuring the names of donors who have donated $500 or more to the project.

                                                  CONTRIBUTION PROGRAM

  The Spencer Monument project is spearheaded by the Spencerian Saga and it's many students, but everyone- whether you have attended the Saga or not, is welcomed and encouraged to participate in this historic event by making a contribution. Donations must be in the form of a check or money order made out to " Spencer Monument Project" and can be in any amount. Donations should be mailed to: 
                                                      Spencer Monument Project
                                                        Post Office Box 65
                                                Cottage Grove, Minnesota  55016

  Everyone who makes a donation will receive a flourished certificate that I have especially designed for this occasion. I will inscribe the donor's name in flourished Spencerian Script. For donations of $100 or more, contributors will receive a commemorative oblique pen holder crafted by Committee members Michael Grady and myself. The words: " Spencerian Monument for American Handwriting-- Geneva, Ohio-- August 24, 2012" will be laser-engraved on each pen.
Individuals or organizations donating $500 or more will have their name(s) inscribed on the bronze Patrons Plaque permanently mounted on the monument, in addition to receiving the certificate and pen holder. Our total goal is between $8,000-$9000, depending upon the final cost of the bronze finial. At present we are just over half- way there, but we need everyone's help to succeed.

                                                            LOCATION

  The site location for the monument is historic in itself. It is the original library building for the City of Geneva, Ohio; especially noteworthy because Spencer founded the city's first free public library in the 1830's. Platt Rogers Spencer lived in Geneva from age 10 until his death in 1864.
The library building was dedicated on Flag Day, 1910 ; one room featured a framed portrait of Spencer. In the 1980's a number of old paper folders containing penmanship specimens were discovered in the basement. It was there, in 1984, that I made my first stop in Geneva to begin my research for " Spencerian Script & Ornamental Penmanship", and assisted the library volunteers in identifying many of the specimens. For over 20 years participants of the Saga visited the Library to study their Spencerian collection.
  By the late 1990's the Geneva Library building was in a state of disrepair. A new library building was constructed several miles away, and the portrait was transferred to this new facility. Last year, efforts began to restore the original building in preparation for its new role as the County Courthouse. Today, the restoration is nearly completed, and to honor Platt Rogers Spencer, our monument will be placed on the grounds in front of the building. The site is considered the most historic location in Geneva.

                                                DEDICATION OF THE MONUMENT

  The official dedication of the Spencerian Monument for American Handwriting and re-dedication of the old Library building will take place on Friday, August 24, 2012. On behalf of the Spencerian Saga, Harvest Crittenden and I will be presenting a 30"x40" framed portrait of Spencer to the newly-renovated Courthouse. 
  Everyone is invited to attend this historic event. For further information, please contact Dawn Darner ( dawn@letteredinink.com), Harvest Crittenden ( harvest@acornarts.org), or myself ( michael@spencerian.com).

                                                    * * * * * * * * * * * * * * * * * * * * *

  Each of us shares a common bond in appreciating the remarkable skill of the past masters and their work. Many of us have spent years admiring their magnificent specimens, studying their techniques, and learning their history. Sometimes, it seems that we actually come close to knowing these men and women from the past. We speak their names with reverence, and can only imagine what it would have been like to study under their guidance. Now, however, we can do a great service for them.
  This is, indeed, a rare opportunity to take part in a project of national significance that is unprecedented in American history. We are the first penmen and admirers of American handwriting to accomplish this endeavor and, through our efforts, America's Golden Age of Penmanship will have a stone beacon to remind everyone of our handwriting heritage-- today, tomorrow, and for all future generations who will follow in our footsteps. With the creation of this monument and it's physical presence in Geneva, our legacy of penmanship will endure beyond our own lifetimes, and forever. Thank you so very much for your consideration to participate.

 Michael R. Sull
The Lettering Design Group
5830 Nall Avenue Suite 2
Mission, KS 66202

913.362.7864

Sunday, April 01, 2012

Calligraphy Nib Book





This fab idea for a Calligraphy Nib Book came from my good friend Victoria Lansford. We get together every now and then on Friday afternoons/evenings and play around in her studio. While we are usually up to no good, this time we actually managed to get in a tiny bit of practice and we swapped helpful notes.


Other than my current obscene collection of art supplies, I bring my 5-year old son Anton who is 5 and a Lego Meister in training. Anton's Lego Mentor is Victoria's son Skyler who has the largest collection of legos I have ever seen.  While they click the bricks, Victoria and I are in her studio and life gets real good.




Last Friday while we were inking around, Victoria whipped out one of these custom made nib holders she made of corrugated cardboard. She had seen something that Donna Dow of Atlanta's Calligraphy Guild, FoTA (Friends of the Alphabet) made and shared with the group using corregated cardboard and cigar boxes. This one works like a book with a flexible spine. The tiny stems of the nibs fit into the sides of the cardboard - they make perfect slots and hold the nib nice and still and safe while not in use. It's a terrific storage system and you can organize them however you like. She put hers together with book cloth tape. I used carpet tape (double sided tape) for mine and used some washi paper scraps to cover the other side of my tape. Thats why it looks so patchworked. I made a front and back cover with a spine for the fore edge and used a rubber band to keep it closed. This way you can close it all up and keep the nibs all comfy-cozy.




I did not pay too close attention to details and craft as I'm was in a hurry - this piece looks rode hard and put away wet and it's only two hours old. But it's functional! Oh - and don't pay attention to the cut I made on the cover that you can see underneath the paper with my last name on it in caps. THAT was a mistake. :)


On the inside cover is a handy nib comparison width chart. In between one of the "pages" is a scrap of crocus cloth used for sharpening nibs. Reggie Ezell is trying to break me of the habit of going after the entire surface of a nib, while all you need to do is carefully remove a bur or two. He gets the loop out and a 3-4 surface nail file used for manicures to carefully remove burs.




So! This little nib book is 4 inches wide and almost 4 inches high. The depth is about 1.5 inches.


The four cardboard pages are:
1" x 4"
1.5" x 4"
2" x 4"
2.5" x 4"


And that's it! Cool, huh?

Wednesday, March 28, 2012

Illuminated Letters Video!

Hi Friends,

My good friend Victoria Lansford has put together a video of FoTA's recent calligraphic performance event called Illuminated Letters. Many thanks to all members who performed and for those who helped put the video together: Emily Canter for organizing and shooting, Victoria for shooting and editing, and to Lori Rausch and Mihn Doan for the still shots.

Brava!!!

 
Illuminated Letters: A Calligraphic Performance Event
http://www.youtube.com/watch?v=HAC5lsDy3jY&feature=youtu.be

~Anne

Monday, March 26, 2012

Yves Leterme Italic Variations October 2012 Workshop: Pre-Registration List Available

Hi friends!

If you are dying to sign up for Yves Leterme's Italic Variations Calligraphy Workshop in October 2012, there IS a way to get your name down on a preregistration list. Simply email Jacob Gunter, the Education Director at Binders, and ask to be put on that preregistration list. Here's a note from Jacob:

"Registration will open in mid to late April at which point you will be the first to know along with an already growing list."

~Anne

BOOKBINDER on Wwword.com

This article is the real reason I updated my bio and beauty shot! Click here to read the full version of this informative article about the structure of a book. Take a class, buy a couple of technical books on binding, and make one all your own.

Many thanks to Lucy Sisman of Wwword.com and MiddleBlue!



"I think that because many of the terms used to describe a book’s anatomy are also used to describe our own, identifying with and appreciating their beauty becomes all the more natural. Books are extensions of ourselves and very intimate experiences. Making or dissecting one, from head through spine to tail, makes this relationship (where your fingers touch and turn the pages) all the more rich" ~Anne Elser

Friday, March 23, 2012

Middle Blue Sari Scarf Arrived!


I JUST opened my new Sari Scarf from Middle Blue. This was a birthday present from Mom and let me tell you - this thing is beautiful. Made from vintage saris in West Bengel, each maker takes three days to stitch up a scarf. They are all unique and very versatile. I am in love.

I love to wear it around my waist or around my shoulders. It's got a soft, yet strong weight to it. I want ten more. Working with Lucy Sisman has also been terrific. She actually took the time to emailed me a few snaps of the "off white" palette I had chosen, so that I could pick exactly the one I wanted.

Thursday, March 22, 2012

Yves Leterme Atlanta Oct. 2012

Guess whaaaaat, Atlantans! Yves Leterme's coming to Atlanta for an Italic Variations Calligraphy Workshop at Binders Art Supply!!

Dates are set for October 6th - 7th with the possibility of another day/night for a lecture or demo. We will keep everyone posted as details get ironed out.

I think his approach sounds fascinating and I can't wait to meet and learn from him. The Italic hand can seem stiff and unbendable to the new calligrapher, because of its broad, rigid nib. But you can add spirit and life to anything and the italic letter and the chisel nib is more fluid and versatile than you might think. Yves will show us how to tap your own life and spirit and unique personality into the nib your hands are gifted with through polyrhymthic writing and more.

If you've taken a beginning Italic Calligraphy course, this would be a terrific opportunity for you to take your work to the next level by allowing your hands to really dance with variety, soul and meaning.

As soon as Binders posts the link for signup, I'll post it here. Many thanks go to Victoria Lansford for bringing Yves here, Jacob Gunter for coordinating the workshop and to Binders for hosting and coordinating this fabulous opportunity!


Here's his brief description of the workshop he's offering.

ITALIC VARIATIONS Two day course (*) - beginners and intermediate 

In this course we'll explore the possibilities of the versatile Italic, changing pen angle, serifs, guidelines, slope, connections, shapes, etc... We deal with lowercase and capitals. All writing will be done with nibs and at normal speed (no gestural moves here), but we'll introduce toward the end some polyrhythmic writing. The workshop is conceived in such a way that by the end the students are able to make their own personal variations. 

Want to do some more research on what Yves has to offer? Take a look at some of his calligraphic videos.

Beethoven Herschreven
A film featuring Yves Leterme's calligraphy with Beethoven's 'Pathétique' (first movement) as musical score. 
Made for the calligraphy exhibition at Heist-op-den-Berg (B) in April 2012.
Yves Leterme Cleans UP
This video documents Leterme's exhibition in Antwerp during the summer of 2011.
The Crown of Ariadne - harp and calligraphy
The first cooperation of harpist Andrea Voets (www.andreavoets.com) and calligrapher Yves Leterme (www.yleterme.be), inspired by the piece 'the Crown of Ariadne' by the Canadian composer R. Murray-Schafer. 

And here's some more delightful information about Yves:

Yves Leterme (°1959 Bruges, Belgium) spent more than twenty years trying to influence the lives and thoughts of young Brugean adolescents by reading and explaining the works of Virgil, Plato, Cicero and the likes. But since even Latin grammar cannot keep a man happy and satisfied for a whole lifetime, he now devotes all his time and energy to the fine art of calligraphy. Being a freelance calligrapher he continuously shifts from various commissions (lettering and artistic works) to artwork for exhibitions and galleries. He has been teaching calligraphy mostly in Flanders, but in recent years also in the US, Japan, Australia, Canada, South-Africa, the U.K., Germany, Switzerland and France. 

Having been a close student of Brody Neuenschwander for a number of years, he was (and still is) favourably influenced by his vision on contemporary calligraphy. Already at an early stage he devoted a lot of time developing his gestural style, for which he has gained international acclaim. Other typical features are his carefully drawn capitals and unusual compositions on richly textured backgrounds. 
He was cofounder, coach and chief master of the Whitespace-system, a school for contemporary calligraphy in Flanders. 

Throughout the years, Yves' work has been selected for inclusion in many juried shows and his pieces can be found in museums and private collections all over the world. He's the author of 'Thoughtful Gestures', the first book on gestural writing.

For more information and pictures, visit his website www.yleterme.be 

Tuesday, March 20, 2012

Happy Red Chalkboard


Following Martha Stewart's recipe for Custom Color Chalkboard Paint, I made Anton this cheery red chalkboard for his bedroom last week. I used two quarter-inch-thick sheets of masonite, a flat Behr red and unsanded tile grout. It was super easy. After making pilot holes in the corners of the masonite and the walls, I installed the boards snugly against each other for a big happy red surface in which to write. He LOVES it. And it's a great color fir his bedroom.


Anton gets a "sticker" reward for every set of letters or numbers he practices. Stickers earn him toys he wants. And instead of slapping on a star, he fills in a number on a sheet.


The SPD has gotten in the way of his natural impulse to make marks on paper - so handwriting has become an issue. Since he'll be in Kindergarten next year, we are working extra hard at getting him comfortable holding a pencil.

The giant chalkboard in his room, and some guidance from his OT (Kate Drummond of About Play),  Handwriting Without Tears, and his teachers at Coralwood, Anton is doing fabulously well.

HWT suggests you use short nubby pieces of chalk so tiny fingers have to "pinch" the chalk, forcing them to hold a writing utensil the best way to gain optimum control. We also use tiny piece of dampened sponge so I can write a letter for him, then erase/trace it with the sponge (drawing with water) and then Anton traces my wet letter with his own piece of chalk. Thanks HWT!

Thursday, March 08, 2012

Filling in the book: Tommy Requiem



I am finally filling in some of the pages of the Tommy Requiem piece I'm creating for Reggie Ezell's 2012 Primitive to Modern Atlanta class. I have to say that it's much easier to draw letters on a full sheet of paper  where you can use your whole body as a kickstand for grounding, rather than filling in an already stitched book.



But I still think it's worth it. As I write, I use other surfaces as stilts to lean my arms and hands on that are more or less equal to the height of the spread that's open. Makes it much easier that way. This little book is pretty small, but hefty in its thickness.



I am using W&N Alizarine Crimson with some cad yellow mixed in for warmth. Really thinned with distilled water. The teal blue is the same brand, a tad of umber mixed with blue and white. Make a really lovely chicken egg teal.

I will write more later about why I used Sir Galahad's words to intro the book. Really great story from an experience I shared with my friend Debra Armentrout. Heads up, Debra!







Tuesday, March 06, 2012

Reggie Ezell Atlanta Primitive to Modern 2012 Calligraphy Classes a la carte!


For those of you who really wanted to take Reggie's second year long class but couldn't commit to the whole year, Reggie has made a very special offer to let people sign up for the remaining sessions a la carte.  

These sessions are project based and fairly contained so even if you haven't been in previous sessions with Reggie, you'll be able to do them and not be lost.

These means you get to learn incredibly cool techniques like gilding and illuminating on vellum and take a finished (or nearly finished) piece home!!!!

You may sign up for any of these workshops at this time.  We only have 4 spaces in each one.   Registration is first come first served. 

Workshop dates and descriptions are below.  
Hours run 8:30am-6:00pm each day.  
The location: The Mendez Center near where GA-400N splits off from I-85N.

The fee for each weekend workshop is $300.  
Please let Victoria Lansford know if you'd like to sign up for any of the sessions.  

All of the photos are of artworks by Reggie's students in previous years of Primitive to Modern.  More images of students work can be found on Reggie's website.
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Lettering, Color, and Gold on Vellum

Apri 14 &15 
by Maria Helena

Workshop description:  The Book of Kells, Medieval manuscripts, the Saint John Bible: all are on calfskin vellum: regarded as the supreme surface for calligraphy and illum-ination, that will endure millennia. Two days of hands-on, in-depth experience will begin the journey of preparing and working on vellum.



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Illumination on Vellum

June 9 & 10 
by Louona Tanner

Workshop description:  We will traverse no less than 1300 years in seeking to amalgamate illumination techniques from the Codex Aureus with designs from some of the greatest lettering artists of our day.



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Primitive to Modern 
(session name is same as whole course title)
Aug 4 & 5 
by Carolyn Leuders

Workshop description:  As far back as the 5th century, stretching forward to our times, a handful of rare manuscripts were created on vellum stained purple with brazil wood dye. A piece of this rich, velvet-like surface will be provided to each student to produce a small gem in gilding. Switching historic time zones we will engage in creating modern layouts with contemporary media and design techniques. Thus begins the process of merging ancient, present and future.









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Deconstructing the Grid
Oct 27 & 28
by Eugenia Uhl
Workshop description:  Abstraction and fragmentation with collage, but user-friendly. Was that one Uber- oxymoron? We will use an absolutely new medium that is joyfully simple.



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Experiencing the Book as New Structure.
Dec 1 & 2
by Sally Theus
Workshop description:  Why do we refer to books? Usually they are dependably informative: predictable, sequential, even annotated. But what if they weren't? What if you didn't even know what direction to turn the page. What if it were a confusing, delightful journey. It could be.










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Victoria Lansford
Artist, metalsmith, calligrapher, educator, 
and author of the Metal Techniques of Bronze Age Masters instructional book and DVD series and the iMakeJewelry iPhone™ app.
404-388-8348